10 Things you Didn?t Know About North West Science and Technology

North West Science and Technology has led to many cutting edge scientific breakthroughs, such as Britain’s first aeroplane, the birth of the first test tube baby, splitting the atom, and the world’s first computer. Science and Technology is continuing to develop rapidly in this region, and many global brands, ranging from medical research to military aircraft have significant research and design facilities in the North West. Over 25% of the region’s £106 billion economy comes from Science and Technology companies.

1. North West universities play a key role in Science and Technology, and have a combined turnover of over £1.2 billion, almost 1% of the region’s total economy. Leading companies, including those in the Aerospace Business, automotive supply and manufacturing companies, nuclear energy and medical research are closely linked to North West universities. More than 50,000 North West students graduate every year, including 25,000 with life science degrees. Over 69,000 science students are trained every year.

2. The Aerospace Business in the North West has a turnover of £6 billion, and is responsible for producing military and commercial aircraft and components which are used both in the UK and exported worldwide. Extensive R&D programmes ensure that the latest technologies are available to create the most advanced planes in the world. Countries all over the world rely on the North West Aerospace Business for their military and commercial aircraft requirements

3. The Chemistry Industry plays a vital role in the North West, and sales of chemicals contribute over £10 billion to the economy, equating to approximately 20% of the UK chemistry industry. Approximately 220,000 people are employed in this sector. In 2005, the Department of Trade and Industry announced that as part of the Technology Programme, one of the 19 new Knowledge Transfer Networks (KTNs) would be in Chemistry in the North West. KTNs help to share knowledge and research between businesses, academic institutions such as universities, and trade associations.

4. The North West and Cumbria in particular, is widely acknowledged as the centre of the UK Nuclear Energy industry, and is home to the Nuclear Decommissioning Authority. The research and development work done in this region has led the Government to conclude that utilising nuclear energy is part of a viable solution to meeting the energy needs of the UK.

5. There are over 50 research institutes, many of them multi-institutional, as well as traditional R&D departments. The North West is home to the Research and Development departments of several of the worlds leading companies, and business R&D investment in this region is greater than in any other part of the world except Asia. Recent reports show that 4 of the top 10 companies by R&D spending have significant facilities in the North West. Pharmaceutical development, including the largest cancer drug research centre in the UK, Aerospace Businesses, manufacturers of consumer products, as well as the Chemistry Industry and Nuclear Energy are well represented in the North West.

6. The North West’s seven science parks are home to many knowledge-based companies in diverse industries ranging from providing education to Nuclear Energy and decommissioning. Strong links to universities as well as research institutes and centres of knowledge, in the UK and abroad, help to ensure that Science and Technology in the North West is second to none.

7. Dedicated Strategic Science and Technology sites have been set up throughout the North West, and Manchester is aiming to become one of the UK’s first six Science Cities by 2015.

Manchester Science Park is internationally recognised as a centre of excellence, and is one of the most successful of its kind. Tenants include specialists in healthcare, telecoms, and digital media.

The Daresbury Science and Innovation Campus, near Warrington in Cheshire, is home to leading companies in diverse industries ranging from healthcare research to business support services. The nearby Daresbury Laboratory is one of the best-resourced science facilities in the UK.

Liverpool Science Park, right in the centre of Liverpool, is the fastest growing science park in the UK, and contains computer games, website design and software companies as well as solicitors specialising in intellectual property and technology law. Speke, also in Liverpool, is home to the National Biomanufacturing Centre, which is set to become the leading biopaharmaceutical design centre in Europe, and helps to create and develop new medicines

West Cumbria Science Park, near Whitehaven, has over 60 companies on site, ranging from ecology to engineering, many of which are involved in the Nuclear Energy Industry.

A Science Park in Lancaster is scheduled for development this year, and will be located close to the top-ten ranked university. This exciting new project will combine the renowned academic knowledge and resources of the University with local businesses know-how and the Lancaster Environment Centre.

8. With Manchester recently voted the most creative city in the UK, and Liverpool’s reputation as one of the leading cities for computer game design, the North West is at the forefront of new technologies as well as traditional Science and Technology. The use of ICT in education, website design and internet technologies, TV and film production, as well as other media industries, is all flourishing in the region, thanks to Science and Technology.

9. As well as looking to the future, the region’s scientific history is preserved through museums such as the World Museum in Liverpool, Quarry Bank Mill in Styal, Cheshire, and Wigan Pier. Visual displays as well as hands-on activities, demonstrations and different media show how Science and Technology has changed our lives, from mechanising everyday tasks to revolutionising manufacturing methods.

10. As well as the outstanding Science and Technology facilities, the North West is a popular business location thanks to its fantastic infrastructure. Within reach of 3 international airports, and a great motorway system, the North West is closer than you may think. In addition, the North West has many Areas of Natural Outstanding Beauty and the standard of living is high.

There has never been a better time to see how North West Science and Technology can help you.

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The preservation of human life is the ultimate value, a pillar of ethics and the foundation of all morality. This held true in most cultures and societies throughout history.

On first impression, the last sentence sounds patently wrong. We all know about human collectives that regarded human lives as dispensable, that murdered and tortured, that cleansed and annihilated whole populations in recurrent genocides. Surely, these defy the aforementioned statement?

Liberal philosophies claim that human life was treated as a prime value throughout the ages. Authoritarian regimes do not contest the over-riding importance of this value. Life is sacred, valuable, to be cherished and preserved. But, in totalitarian societies, it can be deferred, subsumed, subjected to higher goals, quantized, and, therefore, applied with differential rigor in the following circumstances:

1.. Quantitative – when a lesser evil prevents a greater one. Sacrificing the lives of the few to save the lives of the many is a principle enshrined and embedded in activities such as war and medicinal care. All cultures, no matter how steeped (or rooted) in liberal lore accept it. They all send soldiers to die to save the more numerous civilian population. Medical doctors sacrifice lives daily, to save others.

It is boils down to a quantitative assessment (“the numerical ratio between those saved and those sacrificed”), and to questions of quality (“are there privileged lives whose saving or preservation is worth the sacrifice of others’ lives?”) and of evaluation (no one can safely predict the results of such moral dilemmas – will lives be saved as the result of the sacrifice?).

2.. Temporal – when sacrificing life (voluntarily or not) in the present secures a better life for others in the future. These future lives need not be more numerous than the lives sacrificed. A life in the future immediately acquires the connotation of youth in need of protection. It is the old sacrificed for the sake of the new, a trade off between those who already had their share of life – and those who hadn’t. It is the bloody equivalent of a savings plan: one defers present consumption to the future.

The mirror image of this temporal argument belongs to the third group (see next), the qualitative one. It prefers to sacrifice a life in the present so that another life, also in the present, will continue to exist in the future. Abortion is an instance of this approach: the life of the child is sacrificed to secure the future well-being of the mother. In Judaism, it is forbidden to kill a female bird. Better to kill its off-spring. The mother has the potential to compensate for this loss of life by bringing giving birth to other chicks.

3.. Qualitative – This is an especially vicious variant because it purports to endow subjective notions and views with “scientific” objectivity. People are judged to belong to different qualitative groups (classified by race, skin color, birth, gender, age, wealth, or other arbitrary parameters). The result of this immoral taxonomy is that the lives of the “lesser” brands of humans are considered less “weighty” and worthy than the lives of the upper grades of humanity. The former are therefore sacrificed to benefit the latter. The Jews in Nazi occupied Europe, the black slaves in America, the aborigines in Australia are three examples of such pernicious thinking.

4.. Utilitarian – When the sacrifice of one life brings another person material or other benefits. This is the thinking (and action) which characterizes psychopaths and sociopathic criminals, for instance. For them, life is a tradable commodity and it can be exchanged against inanimate goods and services. Money and drugs are bartered for life.

The French Revolution constituted for the conscience of the dominant aristocratic class a fall from innocence, and upturning of the natural chain of events that resounded all over Europe; the old regime became, in their imaginary, a paradise lost. This explains why some romantic poets born in the higher classes were keen on seeing themselves as faded aristocrats, expelled from their comfortable milieu by a reverse of fortune or a design of destiny. Byron and Shelley are the prime instances of this vital pose. In The Giaour he writes on a vampiric character: “The common crowd but see the gloom/ Of wayward deeds and fitting doom;/ The close observer can espy/A noble soul, and lineage high.”

Byron departed from England leaving a trail of scandal over his marital conduct and since then saw himself as an exiled expatriate. Shelley was expelled from Oxford and he fell in disgrace by marrying an in-keeper’s daughter; he always struggled to reconcile his origin with his political ideas: “Shelley could find no way of resolving his own contradictory opinions” (Cronin, 2000).

This icon of the fallen aristocrat is rooted on another character revered by romantic poets: the fallen angel. As Mario Praz proves, miltonic Satan became the rebel figure of choice among romantic poets. Milton reversed the medieval idea of a hideous Satan and wrapped its figure with the epic grandeur of an angel fallen in disgrace. Many of the byronic heros share with Milton’s Satan this fallen-from-grace condition, such as Lara: “There was in him a vital scorn of all:/
As if the worst had fall’n which could befall,/ stood a stranger in this breathing world,/An erring spirit from another hurl’d” ( Lara XVIII 315-16)

There is another social factor that is behind the formation of the romantic myth of the vampire. In the early nineteen century, the foundations of what would later become a mass society were laid; the expansion of the press and of the reading public produced an increased diffusion for literary works and fostered movements such as the gothic and the sensation novel. Byron himself experienced the event of being turned into a proto-bestseller. The unification of literary taste and preferences that was a correlate to this social changes could not be more alien to the romantic notion of individual gusto and original sensibility. In order to combat this unifying forces, romantic poets revered the individual who stands outside society and is free from common concerns. Many of Byron’s heros look down on the masses from above, even though they walk among them and do not lean towards wordsworthian escapades into nature; they achieve to remain untainted by the masses in a sort of exile within the world akin to that of a ghost or a dammed spirit. This self-definition of Manfred is revelatory:

From my youth upwards
My spirit walk’d not with the souls of men,
Nor look’d upon the earth with human eyes;
The thirst of their ambition was not mine,
The aim of their existence was not mine;
My joys, my griefs, my passions, and my powers
Made me a stranger; though I wore the form,
I had no sympathy with breathing flesh, (Manfred II, ii, 50-58)

Not only Byron’s works contrived to produce the modern image of the vampire in relation to the Male Seducer archetype, but also some odd events in his life and the life of those surrounding him exercised a decisive influence. A critical study bundled with an anthology of vampire tales (Conde de Siruela, 2001) attributes to the short story The Vampire (1819) by John William Polidori the fixation of the “classical images of the literary vampire as a villanious, cold and enigmatic aristocrat; but, above all, perverse and fascinating for women”. Mario Praz, in the same line, also states that Byron was “largely responsible for the vogue of vampirism”. Polidori was the unfortunate doctor and personal assistant of Lord Byron who died half-crazy at 25. The idea for the tale published in 1819 came from the famous meetings at Villa Diodati on June 1816 between Byron, Percy Shelley, Mary Shelley and Polidori, in what was probably the most influential gathering for fantastic fiction in the history of modern literature. In order to pass the stormy and ether-fuelled nights, they agreed to write each one a ghost story. Mary Shelley (who was then 17 years old) got during these nights the idea of what later became Frankenstein and Polidori wrote the tale The Vampire that he would publish three years later. The story appeared in the New Monthly Magazine falsely attributed by the editor to Lord Byron (taking advantages of the aura of Satanism that surrounded the poet in the popular view to promote the sales of the magazine). A misguided Goethe hailed the story as the best that Lord Byron had ever written. The tale was, actually, a covert portrait of Lord Byron disguised as the vampire Lord Ruthven, a cruel gambler and killer of innocent girls. Polidori had introduced in the story fragments from an autobiographical and revengeful novel called Glenarvon written by Caroline Lamb, an ex-lover of Byron. The Lord´s reaction was a threat to the editor and the denouncing of a commercial imposture with his name. Eventually Stoker´s Dracula (1897) blended, according to Siruela (2001), this tradition derived from Polidori´s Lord Ruthven with some old romano-hungarian tales of wandering dead and enchanted castles, fixating thus the modern images of the vampire.

The vampire is closely linked to another romantic archetype: the dissatisfied lover. Rafael Argullol summarizes its traits: “el enamorado romántico reconoce en la consumación amorosa el punto de inflexión a partir del cual la pasión muestra su faz desposedora y exterminadora.”. The romantic lover begins to feel a sense of dissatisfaction, caducity and mortality at the very moment when his passion is fulfilled. This feeling prompts him to embark in a sentimental rollercoaster where each peak of satisfaction is followed by a valley of despair and the impulse to seek satisfaction in a new object of love in order to renew the faded passion (the extreme of this attitude is the character of Don Juan). The vampire goes one step further than the seducer: for him the loved one stands as an image of his own dissatisfaction and it must be destroyed at the very moment when the longing for her disappears; at the instant of consummation. Again Byron in Manfred expresses this transference, which Argullol opportunely labels as romantic self-mirroring: “I loved her, and destroy’d her! (211)”. Keats conveys in his Ode on Melancholy the feeling of mortality that is hidden in the moment of pleasure for the romantic: “Turning to poison while the bee-mouth sips:/ Ay, in the very temple of Delight/Veil’d Melancholy has her sovran shrine,/ Though seen of none save him whose strenuous tongue/Can burst Joy’s grape against his palate fine”. La belle dame sans merci is according to Argullol also a poem where “vida y muerte se vivifican y complementan mutuamente [...] se hallan en total simbiosis”. But there is a crucial difference between Byron and Keats in their approach to the fatal lover: Byron’s characters are fatal males, epitomized in the vampire, while Keats’ characters are femmes fatales. This difference underlines a different attitude to gender issues: Byron liked to emanate a dominant masculinity which is imprinted in all his leading characters. Keats, however, had a passive approach to love, his poetic personas like to be seduced even if that means, as we have seen, to be killed. Byron is the male aristocrat who thinks all women are naturally his, they are his possessions and, as such, disposable at will. Keats, who disliked Byron’s Don Juan – in a letter to his brother, he referred to it as “Lord Byron’s last flash poem”, announces a more modern and non-patriarchal approach to love where the woman is free to be the seducer. Nevertheless, as we have seen, they both share the extreme notion of love as creation and destruction at the same time; and their characters, though of different gender, are vampire lovers. This different attitude is not only personal but it mirrors a wider and epochal distinction. Mario Praz has observed how the fatal and cruel lovers of the first half of the nineteenth century are chiefly males, while in the second half of the century the roles are gradually inverted until late century decadentism is dominated by femmes fatales. This literary process mirrors the advancement of social changes throughout the century, and the slow but continuous emancipation of love from patriarchal standards. Gender issues shift focus, but power and domination remain at the core of the portrayals of love even in the fully bourgeoisie society of the late nineteenth century. Goodland (2000) has explored the role of women as a redundant class subject to another classes and the gender/class dialectic found in the vampire.

Not only Byron and Keats were fascinated by the myth of the vampire, but we can find its presence in most romantic poets, even in the proto-romantic early Goethe. A list of authors who use such characters made by Twitchell (1981) comprises: Southey in Thalaba the destroyer, Coleridge in Christabel and Wordsworth in The Leech Gatherer.

As we have seen throughout this paper the figure of the vampire is shaped in the romantic period under the form of an ideological knot where many social forces converge: the French Revolution, an embryonic mass society, the decline of aristocracy and the gradual shifting apart of gender divisions from the patriarchal model. Therefore, it constitutes a myth that may be read as a battleground for the play of discourses of its era, shedding light on other romantic attitudes towards existence. As such it is subject to an analysis that, as new historicisms maintain, is aware of the historicity of a text and the textuality of history.

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